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Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries (Cambridge Musical Texts and Monographs)
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This volume is one of the first to examine in detail the numerous violin treatises of the late-eighteenth and early-nineteenth centuries. It provides a scholarly historical and technical guide to violin pedagogical method, technique and performance practice during the most critical period in the history of the instrument. Extracts in translation from the most significant and authoritative sources are presented with introductions, commentary, illustrations, extensive musical examples and a glossary of specific ornaments. It will be of interest and use to students, performers, and historians.
- Sales Rank: #1352992 in Books
- Color: Red
- Published on: 1990-07-27
- Original language: English
- Number of items: 1
- Dimensions: 9.72" h x .87" w x 6.85" l, 1.65 pounds
- Binding: Paperback
- 428 pages
Review
'He offers us a well turned-out knowledgeable and agreeable companion. Every violin-lover's home should have one.' Musical Times
'[The book] provides a mass of useful information on the diverse attitudes of performers and teachers at a fascinating stage in the development of violin playing; substantial extracts from some of the most important voilin methods are quoted verbatim, making many of them available in English for the first time.' Music and Letters
'For a player, or anybody with an interest in the violin, this book is a valuable guide to the foundations of modern violin-technique.' The Galpin Society Journal
'Scholarship and practical music-making do not always go hand in hand, and their happy fusion in this valuable research by Robin Stowell is extremely topical and most enlightening. It must surely become essential reading for anyone interested in this repertoire.' Early Music
About the Author
Robin Stowell is Professor and Head of Music at the University of Wales College of Cardiff and a professional violinist who has written extensively on stringed instruments and performance. He is author of Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries (1985), Beethoven: Violin Concerto (1998) and The Early Violin and Viola (2001), editor of Performing Beethoven (1994), The Cambridge Companion to the Violin (1992), The Cambridge Companion to the Cello (1999) and co-author of The Historical Performance of Music: An Introduction (1999), all published by Cambridge University Press.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Violin technique and performance practice early nineteenth and late eighteenth century
By Anthony Fusco
In My personal opinion this is a must have for any violinist interested in learning more about violin technique . And many of the details pertain to today as well .
0 of 0 people found the following review helpful.
Five Stars
By luiz a.
Very food!
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